Books
Lyn, Angela and Max Koss, editors, where paintings live: A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn, St Gallen/Berlin: Vexer Verlag, 2024.
Max Koss, The Art of the Periodical: Pan, Print Culture and the Birth of Modern Design in Germany, 1890-1900, Dissertation, The University of Chicago, 2019.
Scientific Articles
Rother, Lynn, Max Koss, and Fabio Mariani. “Provenance as Accountability: Transparent and Verifiable Cataloguing for the Digital Age.” In Elgar Research Handbook on Art, Culture, Heritage and Law, forthcoming.
Koss, Max, Bárbara Romero Ferrón, Lynn Rother. “What’s in a Name? Measuring the Potential of Provenance Data for Art Market Studies and the History of Collecting.” In Hand and Glove: Art Market Studies and the History of Collecting, edited by Blair Brooks and Natasha Degen. Brill, forthcoming.
Mariani, Fabio, Max Koss, and Lynn Rother. “People Information in Provenance Data: Biographical Entity Linking with Wikidata and ULAN.” Zivot Umjetnosti 114, no. 1 (2024): 148–61. https://doi.org/10.31664/zu.2024.114.07. (peer reviewed)
Rother, Lynn, Max Koss, and Fabio Mariani. “Interpreting Strings, Weaving Threads: Structuring Provenance Data with AI.” In Sammlungsforschung im Digitalen Zeitalter: Chancen, Herausforderungen und Grenzen, edited by Stefan Alschner and Katharina Günther. Kulturen des Sammelns: Akteure, Objekte, Medien 6. Göttingen: Wallstein, 2024: 93-103. https://doi.org/10.15499/kds-005-008.
Rother, Lynn, Max Koss, and Fabio Mariani. “The Future of Provenance: Digital Cataloguing as Reparative Practice.” In The Next Horizon of Museum Practice: Voluntary Repatriation, Restitution, and Reparations, edited by Elizabeth Merritt, Arlington, VA: American Alliance of Museums, 2024. https://www.aam-us.org/programs/about-aam/the-next-horizon/.
Rother, Lynn, Fabio Mariani, and Max Koss. “Verknüpfte Daten: Die Zukunft der Provenienzforschung.” Museumskunde: Fachzeitschrift für die Museumswelt 89, no. 1/2 (December 5, 2024): 26–31.
Mariani, Fabio, Lynn Rother, and Max Koss. “Teaching Provenance to AI: An Annotation Scheme for Museum Data.” In AI in Museums: Reflections, Perspectives and Applications, edited by Sonja Thiel and Johannes Bernhardt, 163–72. Bielefeld: transcript, 2023. https://doi.org/10.1515/9783839467107-014.
Rother, Lynn, Fabio Mariani, and Max Koss. “Hidden Value: Provenance as a Source for Economic and Social History.” Jahrbuch für Wirtschaftsgeschichte: Economic History Yearbook 64, no. 1 (May 1, 2023): 111–42. https://doi.org/10.1515/jbwg-2023-0005. (peer reviewed)
Rother, Lynn, Max Koss, and Fabio Mariani. “Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums.” In Perspectives on Data, edited by Emily Lew Fry and Erin Canning. Chicago: Art Institute of Chicago, 2022. https://www.artic.edu/digital-publications/37/perspectives-on-data/25/taking-care-of-history. (peer reviewed)
Catalogue Essays
“Living With Paintings,” “Catalogue,” and “History of the Collection.” In Angela Lyn and Max Koss, eds, Where Paintings Live – A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn, St. Gallen / Berlin: Vexer Verlag, 2024
“‘Oh, Sie sind eine Wissenschaftlerin!’ – Elsa Glaser und die Kunstgeschichte”, with Lynn Rother, in Anita Haldemann and Judith Rauser, eds, Der Sammler Curt Glaser. Vom Verfechter der Moderne zum Verfolgten, Berlin: Deutscher Kunstverlag and Kunstmuseum Basel, 2022.
“Looking at the world with you.” In Angela Lyn and Richard Bird, eds, On the Edge of Time / Angela Lyn, St. Gallen/Berlin: Vexner Verlag, 2022
“Reliefs of experience – the window-objects of Caroline Peña Bray” in Carline Peña Bray – Semblance, Bogotá: La Balsa Arte, 2016
“At once.” In Angela Lyn and Max Koss, eds, Angela Lyn – Giving Way – Paintings for London, curated by Max Koss, Lugano, 2012
“Affinities.” In Angela Lyn and Stella Barmettler, eds, Angela Lyn – my china – of migration and mixed blood, Solothurn: Haus der Kunst St. Joseph, 2009
“Unfamiliar sights of familiar places.” In Angela Lyn and Marco Franciolli, eds, Angela Lyn – living here/vivere qui, Lugano: Museo Cantonale d’Arte, 2007
“Angela Lyn – Landscapes and Portraits” in Angela Lyn, ed, Angela Lyn – Landscapes and Portraits, Zurich: Greiben Verlag and Galerie Esther Hufschmid, 2006
Translations
Katja Bernhardt, “The Art of Diplomacy: Peter H. Feist’s Principles and Methods of a Marxist Kunstwissenschaft”, Selva 5 (Spring 2024): 112-131, with Tamara Golan, https://selvajournal.org/article/the-art-of-diplomacy/
Ittai Weinryb, Die Hildesheimer Avantgarde – Kunst und Kolonialismus im mittelalterlichen Deutschland, Petersberg: Michael Imhof Verlag, 2023 (with Sarah Pines and Saskia Haag).
Alois Riegl, “On the Question of the Restauration of Wall Paintings.” West 86th 27, 2 (2020): 250-269, with an introduction by Ittai Weinryb. https://doi.org/10.1086/715377
Reviews
Amy Lyford, Isamu Noguchi’s Modernism: Negotiating Race, Labor and Nation, 1930-1950 (Oakland, University of California Press, 2013) in Sculpture Journal, vol. 29, nr 1 (2020), 115-117. https://doi.org/10.3828/SJ.2020.29.1.6 (Link)
Jenny Anger, Four Metaphors of Modernism from Der Sturm to the Société Anonyme (Minneapolis: University of Minnesota Press, 2018) in caa.reviews, January 17, 2020. 10.3202/caa.reviews.2020.8
Thilo H. G. Westermann, Die Rezeption der Pan-Mythen in der bildenden Kunst zwischen Klassizismus und Moderne (Petersberg: Imhof, 2017) in Jahrbuch der Raabe-Gesellschaft, vol. 60, nr 1, 233-238. https://doi.org/10.1515/raabe-2019-0015 (Link)
‘Lektüreabbruch – Anschlusslektüren: Journale Lesen (Internationale Tagung in Bochum, 17.-19.9. 2018)’ in Zeitschrift für Germanistik, NF XXIX, nr. 2 (Mai 2019), 410-412. (Conference Report)
Matthew Rampley, The Vienna School of Art History: Empire and the Politics of Scholarship, 1847 – 1918, for the Council for European Studies, September 2014 (Link)
Max Koss 
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